The “Liberal” Media IS the Corporate Media

Excerpt from the Blog of WAMM, Women Against Military Madness, a Twin Cities based anti-militarism and anti-war advocacy organization. The author is John Pilger —

Edward Said described this wired state in his book Culture and Imperialism as taking imperialism where navies could never reach. It is the ultimate means of social control because it is voluntary, addictive and shrouded in illusions of personal freedom.

Today’s “message” of grotesque inequality, social injustice and war is the propaganda of liberal democracies. By any measure of human behavior, this is extremism. When Hugo Chavez challenged it, he was abused in bad faith; and his successor will be subverted by the same zealots of the American Enterprise Institute, Harvard’s Kennedy School and the “human rights” organizations that have appropriated American liberalism and underpin its propaganda. Historian Norman Pollack calls this “liberal fascism.” He wrote, “All is normality on display. For [Nazi] goose-steppers, substitute the seemingly more innocuous militarization of the total culture. And for the bombastic leader, we have the reformer manque, blithely at work [in the White House], planning and executing assassination, smiling all the while.”

Whereas a generation ago, dissent and biting satire were allowed in the “mainstream,” today their counterfeits are acceptable and a fake moral zeitgeist rules. “Identity” is all, mutating feminism and declaring class obsolete. Just as collateral damage covers for mass murder, “austerity” has become an acceptable lie. Beneath the veneer of consumerism, a quarter of Greater Manchester is reported to be living in “extreme poverty.”

The militarist violence perpetrated against hundreds of thousands of nameless men, women and children by “our” governments is never a crime against humanity. Interviewing Tony Blair ten years on from his criminal invasion of Iraq, the BBC’s Kirsty Wark gifted him a moment he could only dream of. She allowed Blair to agonize over his “difficult” decision rather than call him to account for the monumental lies and bloodbath he launched. One is reminded of Albert Speer.
Hollywood has returned to its Cold War role, led by liberals. Ben Affleck’s Oscar-winning Argo is the first feature film so integrated into the propaganda system that its subliminal warning of Iran’s “threat” is offered as Obama is preparing, yet again, to attack Iran. That Affleck’s “true story” of good-guys-vs-bad-Muslims is as much a fabrication as Obama’s justification for his war plans is lost in PR-managed plaudits. As the independent critic Andrew O’Hehir points out, Argo is “a propaganda movie in the truest sense, one that claims to be innocent of all ideology.” That is, it debases the art of film-making to reflect an image of the power it serves.

The true story is that, for 34 years, the US foreign policy elite have seethed with revenge for the loss of the Shah of Iran, their beloved tyrant, and his CIA-designed state of torture. When Iranian students occupied the US embassy in Tehran in 1979, they found a trove of incriminating documents, which revealed that an Israeli spy network was operating inside the US, stealing top scientific and military secrets. Today, the duplicitous Zionist ally – not Iran – is the one and only nuclear threat in the Middle East.

In 1977, Carl Bernstein, famed for his Watergate reporting, disclosed that more than 400 journalists and executives of mostly liberal US media organizations had worked for the CIA in the past 25 years. They included journalists from The New York Times, Time, and the big TV broadcasters. These days, such a formal nefarious workforce is quite unnecessary. In 2010, The New York Times made no secret of its collusion with the White House in censoring the WikiLeaks war logs. The CIA has an “entertainment industry liaison office” that helps producers and directors remake its image from that of a lawless gang that assassinates, overthrows governments and runs drugs. As Obama’s CIA commits multiple murders by drone, Affleck lauds the “clandestine service … that is making sacrifices on behalf of Americans every day … I want to thank them very much.” The 2010 Oscar-winner Kathryn Bigelow’s Zero Dark Thirty, a torture-apology, was all but licensed by the Pentagon.

SOURCE: http://wammtoday.org/2013/03/16/john-pilger-the-new-propaganda-is-liberal-the-new-slavery-is-digital/

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The Dissenting Democrat comments:

John Pilger writes, “Today, the duplicitous Zionist ally – not Iran – is the one and only nuclear threat in the Middle East.”

We always cringe when someone declaims of “Zionism”. Frequently this is a code word for Anti-Semitism. We believe however that Pilger uses it in the sense of opposing Israeli expansionism and the oppression of the Palestinian people and not in a sense indicative of being hostile to the Jewish people.

Pilger’s point is that there is already a nuclear power in the Middle East and it is Israel. Israel developed the nuclear bomb secretly and is believed to have a stockpile of 200 missiles. We cannot help but note that if one were a strategist in Iran, one would look north to a nuclear armed Russia, east to nuclear Pakistan and India, west to nuclear Israel and south to the nuclear missiles of the U.S. fleet. Iranians recognize that a nuclear North Korea, even one threatening to attack us, is left alone while an unarmed Iraq was invaded and occupied.

If the U.S. was truly concerned about nuclear proliferation, it would not be overlooking the Israeli stockpile and assisting India developing its nuclear technology. The U.S. could support a nuclear-free zone from the Atlantic Ocean to the South China Sea. If it did and based its opposition to Iran on such a basis it would cease to be guilty of hypocrisy.

 

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